Kevin’s former Overhaulin’ pal-turned-politician Cherielynn Westrich joins the podcast direct from the Iowa State Senate Chamber for a frank conversation about her remarkable career trajectory. From a singer in The Rentals with Maya Rudolph (“If there was a band playing in ’96, we played with them”) to automotive TV (70 Overhaulin’ builds in 15 years) to politics (four years into her initial six-year Senate term) and automotive entrepreneur (manufacturing under-dash hydraulic swaps at MalWood USA), meet a bona fide renaissance woman with a true passion for building cars and grinding gears.

Things are getting serious in the EV performance, racing, and aftermarket spaces, and it’s only a matter of time until they morph in with the OEs. “There’s a large portion of us out there that is trying to fight this tsunami wave of electric power and performance, but I hate to be the bearer of bad news,” notes Willie, “you’re gonna lose!” Kirk Miller and Jake Hawksworth of Hypercraft USA join the podcast from King of the Hammers, where they’re pushing the boundaries of EV with their advance hybrid and all-electric powertrains. “Imagine being able to throw 100 hp or 200 hp virtually across the entire rpm range, and no impact on emissions,” says Jake. And that’s not including their 1967 Mustang all-electric, all-wheel drive Fastback, capable of delivering 1200 hp and a theoretical 0-60 mph in 1.2 seconds!

In 1995, “Speedvision was this new discovery,” Kevin says at the top of this week’s podcast. “It was like kind of discovering the Playboy magazine in your buddy’s dad’s closet and going, ‘What is this?’” As the first 24/7 national cable television network devoted solely to cars, bikes, boats, and planes, “It was home for so many of us for so many hours,” adds Willie. Flash forward to today, and the recent relaunch of the storied automotive brand for the streaming era. One of the original network founders and now CEO of the new FAST channel, Robert Scanlon, is in conversation with the guys about his extensive career in automotive television, the paradigm shift to free streaming, and the “universality of the appeal of the auto”.